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The Crack Magazine

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Scratching the glitch

There’s a peculiar rupture in the work of Deborah Grice, with her landscapes – which invoke the 19th century romantics – seemingly infected by modern, graphic forms. See them at Biscuit Factory from this November.

I love a bit of incongruity and Deborah Grice is a dab hand at it. Her landscapes, done in oil and charcoal, are incredibly rich and bring to mind windswept young romantics, ever so keen to swoon over the awesome might of the natural world. But her landscapes appear to have a glitch, as they’ve been invaded by graphic forms that throw them completely out of kilter. Her new show ‘All Shall Be Well’ reflects the state of flux she believes we’re currently living through, with unprecedented technological advancement rubbing alongside climate change. Her exhibition begins on 23 November, but the Biscuit Factory is continuing to show Antony Marshall’s headline show until 17 November. This much loved local artist captures in vivid colour palettes and expressive strokes iconic landmarks and landscapes around Newcastle and Northumberland. DP

Deborah Grice: All Shall Be Well, from 23 November until the new year, Biscuit Factory, Newcastle, thebiscuitfactory.com

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